![]() When nature bestows her gifts on us by adorning our surroundings with fresh pictures, lights, fruits, and flowers, we become new and pure in our devotion to God. These songs are generally written during the monsoon season, autumn, or spring. ![]() Gitanjali’s songs have a strong link to nature. Death seems to him as a calm ocean where he may relax when his earthly life has ended. Rabindranath depicted death as the only way to reach his God. In Bipode more raksa kato, he prayed to his God for strength and courage to tackle his issues. The fundamental message of the hymn, however, is that the devotee must give up his pride in order to get ultimate peace and contentment from his God. The opening song in the collection, Amar matha nata kore dao he tomar charandhular pore, appears to be a prayer from the poet to his God to forcefully lower the poet’s head before the Almighty. He resembles the notion of a supernatural force, the God of the Upanishads. This God has no unique picture, nor has the poet ever represented his God by symbols. Although the God of Rabindranath is the God of beauty, intelligence, and perfection, he is neither a religious or traditional god. Gitanjali’s songs can help us purify our bodies and minds in order to grow closer to God. A single line of his poetry may make anyone forget about the world’s problems. According to Yeats, these songs arose from immense sadness and intense emotion. The poet’s prayers are not for mortal or material things. He also asked for the abolition of caste prejudice. When the protests against the British government became violent and nonviolent, the poet appealed to Bharatvidhata to awaken his compatriots into the paradise of wisdom and labour. It is important to understand that Gitanjali was composed in British India. In two songs, He mor chitto punyatirthe jagore dhire (song number 106) and He mor durbhaga desh (song no 108), the poet urged his countrymen to band together against both internal and external calamities. ![]() Aside from certain personal prayers, some songs are also directed to the Bharatvidhata-the God of India. Even if God’s messages were not always spoken, the poet expresses his prayers and sentiments. To begin, the majority of these songs are composed as dialogues between the poet and God. His strong humanism keeps his mysticism in check and keeps it from getting out of hand.Ĭheck out the complete UPSC Syllabus Story of Gitanjali Nor does he have the slightest desire to be a monk. He doesn’t deny sense experience, but instead turns it into a way to have a spiritual experience. He doesn’t try to get away from real life, but he does enjoy the joy of living. He doesn’t completely doubt what he thinks and what he feels. Still, Tagore’s version of mysticism is a little bit different from the first. Tagore was influenced by a lot of mystic writers, such as Walt Whitman, Kahlil Gibran, and, to some extent, Sri Aurobindo. This type of mysticism is based on the ideas of renunciation, detachment from the world, and asceticism. All mystics try to separate themselves from the outside world and connect with the world inside. Mysticism is not something that can be explained logically. In some ways, realism and common sense are at odds with mysticism. The mystic tries to get in touch with the inner, ultimate reality in a way that is direct and intuitive. A mystic thinks that the world we see with our eyes and ears is not real and that there is a more real world behind it that can only be understood spiritually, not through the senses. According to Indian philosophy, mysticism is the highest stage where the human soul is in direct contact with God. The main idea in Gitanjali is mysticism, which also brings up a number of other ideas. Tagore won the Nobel Prize for Literature in 1913 in part because of this collection, but not everyone agrees that it is his best work. A lot of the images he uses come from nature, and the mood is mostly low-key and quiet. Love is the main theme, but some poems also talk about the struggle between spiritual longings and earthly desires. ![]() He also wrote music to go with these words. Tagore based the poems in Gitanjali on devotional songs from India in the Middle Ages. It was published in 1912 with an introduction by William Butler Yeats. Tagore then turned it into English prose poems called Gitanjali: Song Offerings. Rabindranath Tagore’s most well-known work, Gtjali, is a collection of poems that came out in India in 1910.
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